in my opinion. The most important thing at the beginning should be the sense of substitution. Coolness is second. If there is no sense of substitution, the so-called refreshing effect written out will not be
in my opinion.
The most important thing at the beginning should be the sense of substitution.
Coolness is second.
If there is no sense of substitution, the so-called refreshing effect written out will not be good.
If the sense of substitution is well written, the refreshing effect of writing will be very good.
Then how to write the sense of substitution at the beginning is a problem.
What is often said is that the author himself has to substitute into the novel, substitute the protagonist, and write a sense of immersion.
This statement should be correct.
But here’s another problem.
That is to say, if a pure newcomer follows this way of writing, it is easy to write a self-healing essay.
The above are all descriptions of stream of consciousness, and the following are some practical methods.
The actual performance of the sense of substitution, I personally understand as the driving force of the protagonist’s behavior.
It’s the reason why the protagonist at the beginning does things and does the first thing.
This is a bit abstract, so let me give an example.
Let me take the two books in the top three miles of the Feilu Tianbang as an example.
The second is to quit Internet addiction and achieve the Matrix.
The first thing the protagonist does is go for a medical check-up and join the army.
The driving force of this behavior is that the protagonist is very addicted to the Internet, and then he is caught by his parents in an Internet cafe, so he pulls the protagonist to become a soldier to quit his Internet addiction.
The third beautiful president got into the wrong car.
The first thing the protagonist did was to find the female president who got into the wrong car as his girlfriend to lie to his parents.
The driving force of this behavior is that the protagonist’s parents urged the protagonist to marry, and the protagonist was unbearable. At this time, a beautiful woman got into the wrong car, so she directly took her to pretend to be a girlfriend.
From these two examples, we can clearly see.
The way of shaping the sense of substitution of these two books is shaped by common things in reality.
Such as high school Internet addiction teenagers, this is very common.
For example, it is very common to be urged by parents to marry after graduation.
They all use things that are common in reality to shape the sense of substitution.
The cool point behind is pure YY, which is not common in reality.
But it’s just because it’s not common, so it’s cool.
Use common things and people to shape a sense of substitution.
Make cool points by becoming uncommon things and people, and becoming awesome things and people.
Then from these two examples, we can actually see how the script from hi came into being.
The driving force of the first actions of the protagonists of these two books is introduced in the plot of the novel.
And because these things are very common, they create an extraordinary sense of substitution.
And the way of writing self-heart is often because of the driving force of the protagonist’s first behavior or subsequent behavior.
[Not introduced in the novel, but completed automatically in the author’s mind. 】
In this way, for readers, the most basic information is lacking, and the sense of substitution is also lacking.
Of course, the author has a sense of substitution, because the process of substitution is completed in the author’s mind.
Therefore, for the articles written by Zihai, the author of Zihai thinks that he has written very well.
But readers often look inexplicable.
It is because of the lack of information in the middle, and this information is in the mind of the self-healing author.
That’s about it for now.
A little bit of personal thinking, if I don’t write it down, I always feel that I will forget it in a few days.
So write it down and write it down, and you are welcome to discuss it.