Detailed explanation of Feilu’s urban dress than face slap strategy, example explanation

Off topic At the end of every month, I will give lectures to a few guns under my hands, and I will talk about the city for half a year. The most important thing in

Off topic

At the end of every month, I will give lectures to a few guns under my hands, and I will talk about the city for half a year.

The most important thing in the city is to pretend to be slapped in the face.

While explaining and asking questions, I discovered a key thing.

Everyone probably knows this, but no one is going to explain it specifically.

It’s not good to pretend to be slapped in the face, I think that may be the most important thing.

So today I will specifically talk about pretending to slap the face, and give more examples. Today, I will choose a case book from Fei Lu to explain it.

Purely theoretical things, many people do not understand deeply.

This article is almost a collection of my urban lectures in the past six months. It is not too tall, but to understand and learn, Feilu closes his eyes and orders a few hundred orders is the same as drinking water. With a little brainstorming and a little innovation, there are eight thousand copies of ten books.


Whether it’s the wireless text or Fei Luwen’s city, in fact, even a rookie knows that pretending to slap the face is the main theme of the story.

Either on the way to pretend to slap the face, or pretend to slap the face, all the time.

This sentence can summarize a core of major themes such as Feilu urban fantasy.

However, why are things that we all know still not well written?

Even the more I write, the more confused I am, and I keep looking for strategies.

Net text is not mathematics, there is a set of rigorous formulas.

There are various techniques in web articles, and it is even possible that the two techniques are contradictory.

for example:

For example, in the early days of Feilu, Shenhao had a book on the list, and the system directly gave 10 billion, and then the first task cost 10 billion in one day.

The protagonist wears a diaosi suit and rides an electric scooter to go shopping in the luxury area.

The Patek Philippe counter, the protagonist’s classmates, salesmen, colleagues, and relatives were all present.

Being ridiculed and scolded for being down-to-earth, comparing, don’t come and wait for the baptism of various words if you don’t have money.

The protagonist begins to pretend.

Come, wrap all the watches for me, I want them all, you heard it right, all the watches on sale in this store are wrapped for me.

What, you can’t be the master, find someone who can.

Is it Vacheron Constantin watching the fun?

Come and pack your store’s watch too.

Rolex doesn’t have your name on it? If you don’t want to make money, continue to stand stupidly.

Shocked the audience, shocked the whole mall, shocked the whole network, shocked the whole world.

This is the face of God. You follow along, with slaps in the face, all kinds of ridicule from the villains, even a dog thinks the protagonist is a poor diaosi.

But you read the book again the next day, and it’s also Shenhaowen.

At the beginning, the protagonist obtained the system, signed a sports car, and sent another 100 million in cash, and let the protagonist spend money.

The protagonist also went to the watch shop. As soon as he entered the door, the high-quality waiter served the protagonist with a smile on his face (the waiter did not ridicule). He met a classmate at the door of the store. The classmate was surprised that the protagonist was so embarrassed. How does the money person consume, the protagonist calmly said that he can.

The first ten chapters or even dozens of chapters are just such a hang. There is no villain, and it is too lazy to pretend not to slap in the face.

Then you get lost, right?

The strategy I read the day before yesterday was to slap the face, and there were no villains. This book is not right, but it is not right. You see that the list of people is hanging high, isn’t it wrong?

That’s what I said, the techniques and strategies of web articles are not formulaic laws, and even the theories and techniques of some great gods can be overturned.

What I said is based on my understanding, and it may not be suitable for you. If you want to imitate me, you can read it and you should be able to get some insights.


What is my understanding of pretending to be slapped in the face?

So let’s briefly talk about what is pretending to be slapped in the face.

The classmates reunion, the classmates mocked, the protagonist slapped the face, and the classmates were all surprised. The former Xiao Diaosi classmate is now a hero. One by one attitude changed.

This is a one-sentence description of pretending to slap the face.

Urban pretense is nothing more than an extension of this sentence.

The key point is here, what is the core of this pretending to slap the face, or what is the key point?

The biggest problem when a newbie pretends to slap the face is not that he does not write a complete plot of pretending to slap the face, but that the writing is awkward, blunt and mindless.

Fei Lu’s urban book, the book review area with low collections is also often sprayed by readers.

1 See also mindless pretending.

The 2-pack is so embarrassing that I get goosebumps.

3 This is really a slap in the face, just stick the supporting character’s face in front of the protagonist.

Therefore, if you want to write well, you must start from these three points.


1 No brain, this no brain is that the author needs to have a brain, and the reader has no brain to read, but he has no brain to read. If you have a plot or set N…, too much drama, he has to come out and spray you.

This lack of brain is not the focus of my talk today. In the future, I will specifically talk about what Fei Lu’s brain is, and how to make the book brainy in a few words.

2 and 3 complement each other and speak together.

You want to write without being blunt or embarrassing. First of all, excluding your writing and other conditions, just talk about the plot.

Is there something wrong with the plot that makes this episode look stiff and awkward for readers?

My personal understanding is the lack of the rounded part, the lubricant.

This lubricant is foreshadowing and human setting.

With foreshadowing and character settings, even your plot has become sensible.

Personality and foreshadowing are also the core things for many Feilu bosses to explain the city.

But no one really goes a step further to explain the character and foreshadowing. Most of the posts on pretending to be forceful are to teach you the classification of pretending to be forceful, what shock method, KTV pretending to force routines, how to pretend to be forceful and so on.

Continue, give an example to explain the character and foreshadowing, and how to use these two points to make the face-slap less embarrassing and blunt.

The common canteen eating, directly extracts the plot of pretending to slap the face.

The perspective is given to the protagonist and Zhang San. Zhang San squeezed the protagonist and stumbled.

Zhang Sanpeng, the protagonist, don’t you have long eyes when you walk? You almost spilled Lao Tzu’s meal.

The protagonist is standing on the moral high ground: Zhang San, it was you who bumped into me while walking, but you are not as fat as me.

Zhang San was annoyed and came up to fight the protagonist, who knocked him to the ground with one punch.

This is a face slap, everyone looks embarrassed but not embarrassed, mellow but not mellow.

I believe readers will click X at first sight. The reason is very simple, one is not compelling, two is mindless, and three, is Zhang San mentally retarded? How do you live till now?

You have to write this old-fashioned plot that may reappear all the time in your life in a mellow and natural way, without embarrassment, and with brains.

It is necessary to add the characters and foreshadowing I mentioned just now.

The characters and the foreshadowing complement each other, and they all contribute to the protagonist by pretending to slap the face.

Both of these things at the same time can elicit an underlying sense of anticipation.

How did the sense of anticipation come about? It was created by people and paving the way.

I continue to explain with this example.

The protagonist won the boxing system at the beginning, and the novice gift package improved the protagonist’s body and boxing skills to the professional first-class level.

Zhang and the three of them are well-known gangsters in the school. They do bad things. They never queue up for meals in the cafeteria.

These two sentences are simple personalities and foreshadowing.

The protagonist has the strength of a first-class professional boxer, the kind that punches a few hundred pounds, and it is not the kind that kills ordinary people with one punch.

Then the villain is a very hateful and arrogant master.

The villain and the protagonist begin to collide, and the two characters begin to intertwine. (The sense of anticipation has also risen, and it is also inferred from other facts. When you write about a beauty, how beautiful it is, and how many people follow it, readers will have a sense of expectation. This beauty must be accepted, otherwise, if you don’t accept it, the villain will accept it instead. Readers can kill you.)

There is a conflict and contradiction, and then the protagonist finishes speaking the truth and the other party becomes angry and starts to act first, and the protagonist punches the other party for a second.

In this way, the plot looks a lot smoother, and the face-slap is natural.

This is the most basic character setting and foreshadowing. When applied to specific novels, this foreshadowing must be more perfect, and it can even pave the way for several chapters.

(For example, let me extend it a little further. Zhang San was beaten for a second. He knew that the protagonist was unparalleled in force, so he used his power. His uncle is the dean of education. At this time, how can you pretend to be slapped in the face? You still need to set the stage and continue to listen to the lecture.)

In a book, the foreshadowing of the story is more important than the face-slap.

In the face-slap session, you can choose to write it plainly, the other party clasps his fist awkwardly, and I lose.

You can also choose to hit the other party’s face with a crackling sound, the other party kowtows and admits his mistake, or the old wireless hit the old one, and it’s fine.

You can also pretend to be invisible. I don’t say I’m good, but you know I’m very good. (To add here, if your character design and foreshadowing are not done well, and a rich second generation kneels and licks you, do you feel embarrassed and awkward? What about your brain? If the character design is the protagonist who came up to sign in and received 80% of the equity of a real estate company , and this rich second-generation father opened his own small company and relied on that real estate company for food. After the rich second-generation knew the protagonist’s identity, would it be more reasonable to kneel and lick? He even had to pull the old man over. Kneel and lick together.

Develop a variety of cool points according to the character and foreshadowing, and pull a variety of expectations. (Of course, you have to pull the anticipation of what readers want to read. If you pull it off, although it is a cool article, it will lose subscriptions. Feilu loses a few hundred subscriptions if he talks about a poisonous point, and there are more avalanches. For example, martial arts novels, what you read is Relying on force to crush, the protagonist has better literary talent than others… This is the wrong sense of expectation, which leads to the deviation of the cool point. The adjustment goes down.)

Feilu’s foreshadowing is somewhat different from the outer station.

We all know that Fei Lu cannot abuse and oppress the protagonist.

But why do you see, aren’t the protagonists of many Tianbang books still ridiculed and suppressed?

If you write a villain and scold the protagonist, readers will feel that they abuse the protagonist.

This is because the foreshadowing of others has a precondition of invincibility.

For example, in Honghuang, most of them will have a system, or all kinds of awesome heels and identities. Urban gods, tens of billions of dollars have been signed up.

The story hasn’t happened yet, the protagonist is already invincible, and then the face-slap link is set up, and the reader naturally looks at the protagonist and pretends to be forceful.

If you don’t have this pre-condition of invincibility, then it’s like watching traditional martial arts, always worrying about the protagonist, will the protagonist die?

Fei Lu’s fantasy books, there are often such book reviews, the ants dare to stab the hornet’s nest if they are big enough, really N…, why don’t you hurry up and practice?

If the protagonists are invincible, will readers say this?

Of course, you explain that I am not invincible in appearances, so what I said is very conservative and rigorous, small invincible, partial invincibility, not invincible in the whole map.

To put it simply, you have to prepare the props, characters, strength and other things for face-shaming before the most critical scene of pretending to force. Face.

(This little invincible, the specific book can be set in detail. For example, Shenhao is money invincible. At the same time, most of your stories should be arranged with the strong aspect of the protagonist. Otherwise, if you are a god, others will use music to pretend. Forcing, no matter how much money you have, you won’t be able to play the piano, so many gods are supplementing the protagonist with various skills, omnipotent. No matter what, the opponents are scumbags. This is the obvious pre-arrangement You can only have a basic sense of expectation when you know that the protagonist is invincible in this regard, and the enemy thinks that he is invincible in this regard, at least better than you.)

The preconditions are set, you can press it a little to make a good preparation.

So, what to write about this foreshadowing?

? The core of this foreshadowing is to complement your subsequent pretending.

For example, just pretending to be a big-open book I just mentioned, what was his premise before buying a watch at the Patek Philippe counter?

First of all, an invincible condition for him is that he already has tens of billions of assets, and the system requires him to spend 10 billion in a short period of time, and there will be greater rewards at the same time.

Then he made some characters, a snobbish relative who sees low heat and dislikes the poor and loves the rich.

A salesman who looks down on others, an old classmate in the gold-worshiping female class,

The villains of these three characters are intertwined with the protagonists. Everyone can see that scene.

Slap in the face, in fact, the process of slapping the face is very simple, and they are dumbfounded.

The protagonist directly packs the watches of the entire Patek Philippe store, good guy, and spends more than one billion at a time.

Shocked everything.

If there is no small invincible in front of this.

The reader must not look easy, because according to the current known conditions, the protagonist is a little diaosi.

Lack of strength and blindly pretending to force, although there is a system to save the field at a critical time, it is already too late.

Although most of the protagonists in traditional texts are not dead, why do you always look in fear?

It is the lack of this prepositioned little invincible.

It is also lacking this small invincible front, and the sense of expectation is not strong.

At this time, you write how your relatives and colleagues mock you, brother, this is really cruel.

Many people don’t know what cool is.

Pulling out the sense of expectation through your personal setting and foreshadowing, and then writing this sense of expectation in its entirety is a refreshing point.

So cool point = (personal setting + foreshadowing) + collision and interweaving of characters.

This is a formula I summed up on a cool point I wrote.

So many specific questions about the core coolness of Shenhaowen and Honghuangwen’s core coolness, I generally don’t answer.

If I really want to say what the cool point is, and the cool point, I can say the end of the world from today.

Many books from the starting point, Feilu’s list of books, and more and more great gods have put a lot of effort into paving the way for the story.

My own insight is that whether a book can be read is not about how fancy and novel your golden finger is, but whether the plot can make people enter the story, and whether this character and foreshadowing can lead to a very interesting story. strong anticipation.

Why is Feilu City full of Weibo hot spots as the title of the book?

One of the most common reasons is that these things have their own traffic and popularity.

I explain it from a professional perspective, because this is a plot in itself that everyone knows.

You are writing this meme as a fanboy.

For example, Fudimo, everyone knows the character and the story, so you don’t need to think about the character and the foreshadowing, you can directly slap the Fudimo family in the face. The direct start is Wang Zhuang.

But throw away the beginning, and the further you write, the more you get lost.

I have seen these popular ones, the most exaggerated ones are less than 50 books with 50,000 V, and this kind of book is usually a routine operation.

At the beginning, I quoted the characters and foreshadowing that the hot news has already set up. When you open your golden finger, you will slap your face, and change this unpleasant hot news into a happy ending where the villain suffers a lot.

But then what?

There will always be new characters and plots in your book. You still have to pretend to be slapped in the face. If you don’t set up a good character and set up a good foundation, then if you write according to the template of the opening, there will be two completely opposite situations. The readers will either To say old-fashioned repetition, or to pretend to be embarrassed, brainless, and blunt.

(That’s why I said that it’s not good to pretend to be slapped in the face, it’s not that you can’t write the climax scene of pretending to be slapped in the face, it’s the foreshadowing, the foreshadowing is done, you can pretend to slap in the face if you stand there without saying a word.)

How to write a good foreshadowing, this is the real basic skills and the degree of your brain.

How to write a good foreshadowing can actually be explained separately.

Many people mistake the foreshadowing of the plot as an excessive plot. It is a misunderstanding that it can be short or short.

On the contrary, if the foreshadowing is well written, do you still need to overdo it? I’m done slapping the face here, and I’ll catch up with the next game immediately. Half of the next game has been arranged in advance, and the protagonist can directly enter the scene to start.

PS: One of the most awesome readers I have ever seen is a good comment on the character design and foreshadowing.

The author asked when this was the news and wanted to see the original text.

Yes, the writer’s character and foreshadowing of this opening episode has already made readers think that it is similar to those hot news on Weibo.

The foreshadowing of the city pretending to slap his face is to try his best to make him to this point.

Urban Xiuxian KTV pretends to force me to explain the perspective

There are actually many versions of the coercive skills of urban Xiuxian KTV. Today I will only talk about my perspective, that is, the things that can be connected with the things I explained today.

Let me ask you, Sword God KTV pretends to be coercive. You can’t write a few fights when he pretends to abuse that A Biao under Boss Zhou, or can you not write the scene where Boss Zhou is overwhelmed? Can’t write it.

The climax of KTV’s Chen Bing Wang pretending to be forced to slap the face is actually about a thousand words. They used several tricks to bring down Zhou Tianhao’s top thug A Biao, and then used the status of Wei Lao’s nobleman to completely convinced Zhou Tianhao.

There are only a thousand words in the climax of pretending to slap the face, but he used tens of thousands of words to pave the way.

If you don’t have this foreshadowing, you can go straight to the class reunion. Oh, the classmates were threatened. At first, I remembered that it was a male classmate with a little money and a Shanxi coal boss, and the classmates said they would help.

But Chen Puwang didn’t make a move, because this classmate himself didn’t deal with him, what a piece of shit, does he have any reason to help? He definitely won’t help.

This is the brain, with or without the brain, not only the supporting role, but also the protagonist. If the protagonist helps, he is ignorant.

Then look at it, all the foreshadowing of the Sword God is for the protagonist to pretend, so it is certain that the plot will develop next. When Zhou Tianhao asked Jiang Churan, a character that the protagonist still cares about, to accompany him to drink, the protagonist began to pretend to slap his face.

Foreshadowing can also be understood as pulling hatred, the purpose of which is to make the protagonist pretend to be forced through a story in a better and more natural way. (To draw hatred is not a sentence of what you look at, and then look at it to kill you, but to pave the way for the character and plot. For example, Zhang San has an honest character, raised some pigs, and caught up with the price of pork to make a fortune. Neighbor Li Siyi A small-bellied chicken intestines can’t see a good master. Seeing that Zhang San made a fortune, he went to borrow money. After borrowing money, he didn’t return it and borrowed it. Zhang San didn’t borrow it, so Li Si poisoned Zhang San’s pig. I tell this story, It means that the foreshadowing story contains characters and online novels. It is through some of these foreshadowing stories that lead to a sense of expectation, pull the hatred of the ethnic group, and then pretend to be slapped in the face.)

Keep talking.

So what is the plot of the online article, it is the story before pretending to be slapped in the face, it is the story that foreshadows.

The taste and atmosphere are well laid out, you won’t write to pretend to be slapped in the face, you can simply write one or two hundred words.

In this way, readers will praise you, which is so good, and don’t pretend to be slapped in the face.

In fact, he doesn’t know, all he sees is pretending to be slapped in the face. It’s just that he thought he was watching a story.

And the purpose of the story written by the author is to pretend to slap the face.

Therefore, they are all immortals. Our authors all say that he is a brainless pretending novel, but the readers who read this book think that the book is logically rigorous and can withstand scrutiny, not brainless pretending.

The pretentious bridge is actually the foreshadowing of the story.

For example, today I told a story about Zhang Fei pretending to be aggressive. I directly said that Zhang Fei beat Lu Bu with one move. Are you happy?

Not cool. Zhang Fei and Lu Bu have a character, but there is no story, so it’s not fun.

Chen Biaowang did a good job of pretending to be in this KTV, and he did a good job of laying the groundwork and setting up.

First of all, when he appeared on KTV, he had already crushed most of the people with force. At least in the KTV pretending scene, the protagonist was not beaten or abused.

At the same time, in order to make the plot fuller and the face-slap more accurate, he also arranged the character of Mr. Wei in advance.

The main purpose of this character in the KTV plot is to make the protagonist temporarily invincible in terms of power.

Force and power are all invincible in the occasions where you want to pretend to be invincible.

The foreshadowing can be as simple as a sentence, or it can be complicated to several chapters and dozens of chapters. It is also a basic skill that depends on each individual’s ability.

According to the novelty of the story and the reader’s preference, the length of the foreshadowing plot is determined by itself.

Readers feel long-winded, you speed up the plot.

Some top writers of Feilu have a chapter rhythm that you can keep in mind.

Public period 5 chapters a cycle.

Chapter 1 sets the scene, Chapter 2 sets the stage, Chapter 1 slaps the face, Chapter 1 repercussions or harvests and so on.

VIP can be stretched, 1~2 chapters set up 5 chapters forging, 1~2 chapters slap in the face, and 1 chapter summarizes after the fact.

From this rhythm template, do you see what really matters?

It is the foreshadowing, and the foreshadowing is the core and most worthy of detailed description of the entire plot of pretending to force the face.

XXOO, the climax is the final part of the last few seconds, but if you cut off all the previous processes, would it be cool?

The same is not foreshadowing, for example, playing games to hang.

Is it cool to eat chicken for a second?


Wouldn’t it be cool if you opened perspective and self-aiming, abused your opponents in various ways, and finally ate chicken under your opponent’s despair and worship?

Ok, let’s start the example explanation.

This time, I immediately picked up a book of urban gods from Feilu Library.

Opening draw to get Koenigsegg

Author: Shenhao Rice Bucket

You can go to Feilu to search and read the first few chapters of this book. With the explanation, you will have a deeper understanding.

This book is the one I immediately picked from

The first V looks like 1000.

After three days, the writer decided to TJ, because the evaluation and flowers were almost 0.

This writer should not be a newcomer. There are quite a few books under this account alone, and he definitely knows Fei Lufeng. He is considered a poor old writer.

Judging by the title of the book, there is nothing wrong with it.

Shenhaowen standard title and introduction.

So focus on the first chapter.

I will summarize the content of his first chapter.

The first few hundred words at the beginning lead out the protagonist, and introduce the current status of the protagonist (the old rookie writer knows the predicament of the beginning, and the main point is that the protagonist is a factory dog), and then begin to consciously introduce the current life is not satisfactory, after a while and become a hero Form a gap, a sharp contrast.

At the same time, he laid the foreshadowing of the class reunion, and with the system, he would not directly oppose his boss, and if he offended his boss, the old rookie would still set the stage for it. I wrote a few hundred words in the WeChat group, and the second generation of a certain rich pretended to buy a BMW in the group. Banhua expressed his interest and took the initiative to ask for an appointment.

Then came the end system.

Load the Shenhao system directly, and reward tens of millions of sports cars first.

That’s what the first chapter is about.

Ordinarily, this opening is actually not too big of a problem, it has everything that should be there, and it also raises a sense of expectation.

That is to go to the class reunion to pretend.

If this opening is scored according to the marked Shenhaowen, it will be about 60 points.

It has everything, it is qualified.

Normally, a first order of several hundred to 1000 is required. In fact, there is no problem with this beginning. If you want to order high, you must be innovative at the beginning, not conventional.

This kind of opening is quite satisfactory.

The second chapter is the focus.

In the first chapter, he did all the characters and foreshadowing. Of course, there are only these things, and it is not very good.

Then the sense of anticipation was barely pulled out, and a small invincible front was also set up (that is, the Shenhao system, which rewards a luxury car on the spot, and asked the question.)

So I said that his first chapter is nothing wrong, not excellent, passing score.

So what about chapter two?

If the first chapter I give 60 points, the second chapter, I can only give 40 points.

Why do you say that?

The main content of the second chapter.

The protagonist went to the road to pick up the sports car rewarded by the system, and found that there were several women taking pictures there.

Then the woman actually taunted the protagonist, saying that look at the hair, can you afford this car. Huanxiuyou said that he had several thousand pieces of clothes on his body (this is to draw hatred, so I said that this author is an old rookie, he knows everything he should know, and he has written all of it, but he can’t write enough, and he can’t write well.

The protagonist said that this car is mine.

The woman was stunned and regretted not falling.

1000 words eloquently.

My comment about this pretending to slap my face is embarrassing, playful, and mindless.

This kind of coercion is a taboo in the text of the gods, gods and gods, are you and cats and dogs pretending to be coercive? What about your style?

I wrote about Hangzhou horses and beggars pretending to be coercive, do you see it?

Hangzhou Ma said that half of the city of Hangzhou belongs to me. The beggar said that I would pretend to be a jerk. I beg everywhere every day. Who is the boss of Hangzhou, do you think I don’t know?

? You say embarrassed or not?

? You really want to write, just a few sentences.

In the first few chapters of Feilu, the important moment to judge whether it is necessary or not is the important moment that every small plot must be thought out clearly.

You use the space of one chapter to pretend to be a passer-by, and no matter how well you pretend, you will lose points.

What’s more, this is meaningless than pretending.

Passerby A is envious and shocked. Are readers happy?

Readers are cool, this is the author’s self-healing.

If I were an emergency doctor, and he had to write this episode, the remedy I gave was. Do your best to finish this comparison.

After modification: The protagonist went to pick up the car and saw a beautiful woman taking pictures. The protagonist was tall and handsome. You guys all like sports cars, what kind of car is this? The protagonist said: Koenigsegg, tens of millions. The beauty exclaimed: Wow, I thought it was only a few million, tens of millions, I can’t imagine it. Then the protagonist takes out the car keys and gets in the car. The heroine was stunned and shouted, “Hey handsome, take me for a ride, how much WeChat, I’m good at kung fu, looking at the car and disappearing, the beauty sighed that she missed a real handsome and rich.

Look at this change, is it a lot smoother and more natural, pretending to be forceful, not embarrassing, if the passer-by beauty mocks, the protagonist slaps the face, it is very stiff, and the protagonist in the early stage generally does not have a strong sense of substitution, ask for money, this is This kind of blunt plot is very deductible. )

In the second half of this chapter, this old rookie may have learned the rhythm of others or something, or the basic rhythm of Shenhaowen. The system once again signed in and rewarded the status of a major shareholder of a large company.

Many newcomers who learn to write sages, see others sign in to receive this and that, this is actually not very cool, it is better to spend a little bit more fun.

This is because of what I said before.

The front is small and invincible.

The system sends the major shareholder of this company to the protagonist, not to increase the protagonist’s wealth or to give it casually, otherwise it will directly send one trillion flowers.

This is still to pretend to be coercive, and to arrange a small invincible identity for the protagonist in advance. (Similar to the urban cultivation of immortals, the appearance of Wei Lao is similar.)

And you further pave the way. For example, the head of the company is a beautiful president of Iceberg, a rich second-generation pretends to force you, his father is a minority shareholder of the company, and a beauty’s father is the middle-level of the company.

third chapter.

The things written by this old rookie in Chapter 2 may have persuaded some readers to repel them. In addition, the readers will also lose points for the estimated favorability of the protagonist.

In the third chapter, I will talk about my score first.

40 minutes or so.

The general content of his third chapter is to introduce two relatively big characters, one is the boss of the company where the protagonist worked before and a big man from the company’s headquarters.

Because the system had previously given 53% of the shares of the head office group, the head office sent someone to meet the protagonist.

The author arranged for the boss of the company to meet with the head office, which is the foreshadowing and thinking of the old rookie.

The content after that is that the old rookie started to hate the class reunion again. For example, the rich second-generation classmates asked, where are you now, what is your annual salary, and whether you can do it.

Technically speaking, this third chapter should be higher than the second chapter, but I still give 40 points.

Because the foreshadowing is nothing new, step by step, and pulling hatred are also common books.

Fei Lu has thousands of gods, this kind of plot is really bad.

The reason why I give 40 points is because this article is from the perspective of the reader’s sensory reading experience.

The camera switches are a bit frequent.

A total of 1500 words, divided into several scenes, one is a scene where two big men chat and drink tea, a scene where the protagonist’s WeChat group is mocked and hateful, and then a scene where the big man calls and invites the protagonist to pretend to force the scene.

The angle of view is changed too quickly, and there is not enough sense of picture, and the sense of substitution is not strong.

Although the purpose of this foreshadowing is also obvious. Just to be forced.

But he lacked key characters.

I don’t want to read the next chapter 5, because his character is lacking.

What is the contradiction in the first chapter. Contradictions with the immediate boss, that boss is also a middle-level company.

The protagonist is now meeting with the high-level, and the high-level compliments the protagonist for being young and promising, and he should be the hero of the world.

The high-level announced in front of the middle level that the protagonist is the company’s largest shareholder, and then the protagonist fired the immediate boss,

I personally think that this pretense scene is a little asymmetrical with your people, which should not be the scene.

I didn’t have any expectations for Chapter 5, so I didn’t watch it. I can already imagine the embarrassing pretending scene.

The boss who was scared to piss, the two bosses who were shocked.

In a broad sense, there is nothing wrong with it, but if you look closely, the second chapter lowers the force, and the third and fourth wrong foreshadowing directly leads to the lack of sufficient expectations for the climax of the fifth chapter.

Therefore, most of Fei Lu’s readers read his book, and they should have read about the fifth chapter. If they don’t see his book, they are just barely qualified to pretend to be a classmate. Of course, the data of 0 flower evaluations can’t support this old rookie’s writing about the class reunion.

Similarly, when we compare a Tianbang book, there is a similar plot.

Shenhao: Blind date escapes. The protagonist also gets a large stake in the company.

If this writer wants to write about his immediate boss, his face is very accurate.

Probably the plot is that the boss of this company thinks that the protagonist is very simple and capable, and introduces the protagonist to the object.

The protagonist was also grateful at first, and then the protagonist escaped the order. The protagonist explained to the boss of the company, and the boss was reasonable.

But the protagonist’s blind date wants to retaliate against the protagonist. The woman said she would accompany the immediate boss, and then the immediate boss decided to fire the protagonist.

Because the front-end Xiao Wudi has been arranged, the protagonist is the boss of the company, and the boss doesn’t know it yet, so he pretends to be the protagonist, saying that the protagonist is a low-level salesman, if he wants to be fired, he will be fired, and the protagonist will be fired on a blind date. Paid for food.

The protagonist quits, and slaps his face with his bright identity.

It is only a chapter and a half of the content of the bright identity and face, but his personality and foreshadowing have used several chapters.

That’s the core of what I’m talking about today.

It took a noon to sort out, and it is the last strategy of Feilu this year.

Leave a Reply

Your email address will not be published. Required fields are marked *